As I've said before, I have so many plots rattling around in my head I won't get a chance to write all those books before I die--or at least can no longer spend four hours a day writing on a computer. Plots are everywhere from creating a contemporary romance out of my garbage collections problems (A Trashy Affair) to spinning an historical novel of 112,000 words (Queen of the Mardi Gras Ball) out of one sentence found in A Taste of Bayou Water: "I remember that shawl from when she danced a fandango on a table out at Broussard's Barn on New Year's Eve back when I was just a tadpole." The reference was to the heroine's great-grandmother, a high-stepping flapper named Roz. For five years, I pondered Roz's story before finally writing it down.Sometimes a plot takes a long time to ripen.
Last month, I mentioned leaving my beloved Cajun Country to write a novel taking place in Maine. I'm now half finished with A Place Apart and already thinking what should I tackle next. A contract just came through for the next Sinners novel, She's a Sinner, about a female NFL player and Tom's love interest. Edits will follow shortly breaking my writing pace, but the Maine book should be finished by the end of summer if not sooner. Since The Courville Rose was turned down because its ghost character committed suicide 185 ago, I probably won't write the next two books in that series until I can find another home for The Roses series elsewhere. I had planned to do two short ones about Ty Beck and Jesse Niles.
Usually in the fall, I write a Regency novel, part of my unsold Longleigh Chronicles. Yes, I write books that might never sell. I think all authors do. But, always infused with new hope, I've sent the first of that series off to, gulp, a real New York publisher and await their decision which will come months from now. So, it is worth my time and effort to create more of these books, eight in the closet so far, or turn my attention somewhere else?
I have two ideas for single titles, A Splashy Affair, and An Ashy Affair to match with A Trashy Affair. You guessed it. Splashy Affair involves a swimmer and Ashy a fireman. The first has a rough draft, the second is still in the research stage. Other than a similarity in title, the stories really aren't connected. Of course, I can just move on to write another Sinners book, my best sellers really. I am pondering Xochi's story which isn't entirely worked out. I don't even have a title yet. Should it be called A Sinner's Sister or Sister of a Sinner? Or something else. I am open to suggestions.
So, I am leaving it up to you, my readers. Which plot should I pursue next? I don't get a lot of comments on my blog, but do hope you will help me out.
Showing posts with label writing contemporary novels. Show all posts
Showing posts with label writing contemporary novels. Show all posts
Friday, May 15, 2015
Friday, September 30, 2011
Nothing Wasted
Though I have written one thing or another for most of life from grade school puppet shows to college poetry and my first novel hand-written way back in the 1980's (I found it recently when looking for some old short stories), I did not get published until, let's face it, I was old. I would have liked this experience sooner. Wouldn't everyone? But working full time, three kids, a husband and house to take care of did not allow it. I have, however, discovered that I did not waste all those non-writing years. Instead, I stored up characters, incidents, and emotions over a long period of time and placed them in my mental attic so to speak.
When I need an incident for a story or want to imagine what a character is feeling, I root through that attic and recall the joy of first love, the thrill of sex, the anguish of divorce. Things that happened to my family now spill out on the pages. For instance in one of my yet unpublished books, I related a Little League game. My son was not the best hitter, but he could take one for the team. He often got hit by the ball, one time so hard the stitching on the ball cover showed on his backside. He took a base, and being pretty good runner who always knew where the ball was (his strength), eventually rounded the bases for a score. Need a Little League scene. Out it comes from the mothballs of my mind but without the overpowering scent. My grandmother used mothballs. I know of what I speak. One day, that book might be printed. I will dedicate it to my son, probably to his embarrassment. Thanks for the memories, kiddo.
So to those of you who think you are spinning your wheels, wasting your talent, think you will never see your words in a book, I say, "No, you are just storing up information that will become your future novels." And good luck to you.
When I need an incident for a story or want to imagine what a character is feeling, I root through that attic and recall the joy of first love, the thrill of sex, the anguish of divorce. Things that happened to my family now spill out on the pages. For instance in one of my yet unpublished books, I related a Little League game. My son was not the best hitter, but he could take one for the team. He often got hit by the ball, one time so hard the stitching on the ball cover showed on his backside. He took a base, and being pretty good runner who always knew where the ball was (his strength), eventually rounded the bases for a score. Need a Little League scene. Out it comes from the mothballs of my mind but without the overpowering scent. My grandmother used mothballs. I know of what I speak. One day, that book might be printed. I will dedicate it to my son, probably to his embarrassment. Thanks for the memories, kiddo.
So to those of you who think you are spinning your wheels, wasting your talent, think you will never see your words in a book, I say, "No, you are just storing up information that will become your future novels." And good luck to you.
Tuesday, May 10, 2011
Headless Torsos
No, I do not write gruesome suspense novels, only light contemporaries and historicals, rarely gory. Recently, I participated in a discussion on another blog about the tendency for romance covers to feature only the torso of a deliciously muscular male, always shirtless and headless, usually legless, too. In fact, both my sports novels, Goals for a Sinner and Wish for a Sinner, have such in your face, eye-attracting covers. I admit, the first one shocked me as I considered my story to be light and funny, not hot and heavy. A meek protest to the publisher resulted in the standard reply, "Honey, this is what sells." Of course, the second cover was pretty much the same, and I guess when Kicks for a Sinner comes out it will feature a beautiful headless torso,too, or maybe just a pair of really great male legs.
I've learned to live with my covers by joking about them, telling folks that is my much younger husband and such. I do worry that readers seeking a really hot read will be disappointed, though there are certainly some sex scenes when the plot calls for them. I am also concerned that women who might enjoy the story are too embarrassed to pick up the book. A supportive cousin who works at a library, bless her heart, offers readers book covers for my works. I even looked into getting some plain brown wrappers with just the titles and my name embossed on them. Afterall, Goals for a Sinner could be mistaken for a religious tome as well. Still looking into that.
I've learned to live with my covers by joking about them, telling folks that is my much younger husband and such. I do worry that readers seeking a really hot read will be disappointed, though there are certainly some sex scenes when the plot calls for them. I am also concerned that women who might enjoy the story are too embarrassed to pick up the book. A supportive cousin who works at a library, bless her heart, offers readers book covers for my works. I even looked into getting some plain brown wrappers with just the titles and my name embossed on them. Afterall, Goals for a Sinner could be mistaken for a religious tome as well. Still looking into that.
Friday, January 22, 2010
Ambivalence
Just so you know, I got that ream of paper for Christmas and used half of it printing out the first draft of Lady Flora's Rescue, fomerly My Savage Viscount which just sounded too cheesy. The count came out to 106,000 words, but this will change in the rewrite. On advice I received three conferences ago, I abandoned my light, funny unsold contemporaries for historicals. My first effort, an 1920's novel entitled Queen of the Mardi Gras Ball, is still one of my favorites, but I had to learn the hard way that even if it did final in a contest, The Twenties do not sell. So, on to developing a series based on the eccentric Duke and Duchess of Bellevue and their large family in Regency England. These came out as amusing romps rather than true Regencies. Then, another suggestion: Go back to the 18th century and tell the story of the Duchess and Duke and their meeting. Hey, that's a whole lot of new research, but I've done it.
So what have I sold? None of the historicals, but two of the light contemporaries I wrote five years ago and could not sell because no one wanted funny and light. I guess the economy had to tank for folks to yearn for a little laughter. GOALS FOR A SINNER will be out April 23rd and its sequel in the fall, I believe. You can read an excerpt on my web site: www.lynnshurr.com. And now for the ambivalence. Shall I abandon the historical series and simply go back to my contemporaries which are much easier to write. I mean I don't have to figure out how long it takes to get a letter from Georgia to England in 1815 by sea or research the early Abolitionist movement, though I do enjoy that part of writing historicals. I had plans for at least three more of the Duke and Duchess series, but that might be a waste of time. In publishing, you never really know what to do next.
So what have I sold? None of the historicals, but two of the light contemporaries I wrote five years ago and could not sell because no one wanted funny and light. I guess the economy had to tank for folks to yearn for a little laughter. GOALS FOR A SINNER will be out April 23rd and its sequel in the fall, I believe. You can read an excerpt on my web site: www.lynnshurr.com. And now for the ambivalence. Shall I abandon the historical series and simply go back to my contemporaries which are much easier to write. I mean I don't have to figure out how long it takes to get a letter from Georgia to England in 1815 by sea or research the early Abolitionist movement, though I do enjoy that part of writing historicals. I had plans for at least three more of the Duke and Duchess series, but that might be a waste of time. In publishing, you never really know what to do next.
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