I missed doing my monthly post by one day thanks to having two contracts for new books come in on the same week and edits for those books at two different presses arriving on the same day. It's a good problem to have, but I've done little but edits for two weeks. Lady Flora's Rescue, an 18th century romp, will be out in January or sooner. No date set for the latest Sinners book, The Heart of a Sinner. Neither have covers as yet.Which brings me to this month's topic, Covers Uncovered.
I have a "friend" who constantly corners me at social events and introduces me as Lynn, who writes those dirty books with naked men on the cover. Please note, she has never read even one of my books, but simply judges them by their covers--none of which have a naked man. At a library event, I marched to the stacks, pulled one of my books, the 1920's historical, Queen of the Mardi Gras Ball, and placed it in her hands. Great story with low sexual content, I told her. The cover has a Flapper wearing a red dress. She told me she only read murder mysteries. I countered that by saying there was a murder in the book. Did she read it? Nope, took it to the desk and returned it. Tired of all this, when she started her dubious introductions again, I told her companion, "Don't listen to her. She's never read one of my books and has no idea what they are about." Repeated several times, she finally stopped her salacious introductions.
Currently, I have twenty-three books in print. I decided to count up what kind of covers I've been given--authors have less to say about this than you think unless they are self-published and design their own. The tally came to this: 3 shirtless men, 6 sexy guys with all their clothes on, 3 couples, clothed, 7 women, clothed, 3 with miscellaneous items (flowers, a necklace, etc.), and 1 horse. Though I hate to admit it, the sexy guys covers do sell the best except in my conservative home area where readers always go for the flapper, the necklace, or the horse. I you are writing romance, go for the sexy guy.
When I received the cover for A Place Apart which takes place in coastal Maine and features a wounded warrior with PTSD, the cover artist presented me with a man in a red hunting cap staring into the woods. I did protest: 1. no man with PTSD is going to call attention to himself by wearing a red cap and 2. the scene is the coast of Maine, not the deep woods. She said she'd checked recent best-sellers' covers and concluded the solitary man worked best. Yes, in the proper setting. I dove in and found a better stock photo to use which she accepted cheerfully (some don't), and she photo-shopped the wonderful Portuguese water dog who plays a major role in the story to sit by his side. Between the two of us, we got it right. A Place Apart is selling very nicely, though I think it might be because of the dog.
Another publisher recently sent out a notice that they'd been getting criticized for "old-fashioned" covers. I'm not sure what that means, but we aren't to have as much input is my guess. Personally, I hate dark colors and always go for bright if I get a choice. On the cover of Sister of a Sinner, I did get the dress changed from black to red, much more eye-catching.I prefer to work with cover artists who give me choices and don't get snitty over a requested change. In one case, the artist did a wonderful cover first time out, but her second for me did not hit the mark, not even close. First one, the hero looked evil, second try, way too young, finally compromised on another on the third try, still not my favorite cover by far. I also got a lecture that she was paid with a small percentage of my sales and since I was a nobody that wouldn't come to much. Needless to say, we haven't worked together since.
So, I await my two new covers. Obviously, one will be new-fashioned. No idea what the other will be like as that publisher seems to switch the cover artists fairly often. We'll just have to wait and see. I'll post them when I get them.